7 Lessons Learned
One of the most essential elements of any DH project is reflection. It’s important to reflect on what you’re doing […]
One of the most essential elements of any DH project is reflection. It’s important to reflect on what you’re doing […]
By Rochel L. Gasson […]
By Rochel L. Gasson […]
By Rochel L. Gasson […]
By Rochel L. Gasson […]
By Jesse Riley […]
By Rochel L. Gasson […]
By Jesse Jack […]
By Matt Bell, Matthew Days, Casey Margerum, Hannah Sommerlad […]
ArchiveGrid Search for Mina Loy in the Archive Grid—an electronic database that “includes over four million records describing archival materials, […]
The Beinecke Rare Books and Manuscripts Library The Yale Collection of American Literature has digitized the Mina Loy Papers, which […]
From The United States with an Excursion to Mexico […]
By Courtney Mullis and Indy Recker […]
By Jesse Jack […]
By Kenneth Estrada […]
By Brett DuPuma […]
By Severine, Claire, Annie, and Naira […]
Read More… from Illuminating Loy:
Designs, Inventions & Commerce
By Caitlyn Hunter […]
In the spring of 2019, we conducted an experiment in public peer review using the free, online annotating tool Hypothesis. […]
Read More… from Hypothesis: Experiment in Public Peer Review
https://illuminating-loy.clairebiggerstaff.com/ […]
By Caitlyn Hunter, Molly Sharbaugh, Rochel L. Gasson […]
Read More… from Women with Voice: Mina Loy & Georgia Douglas Johnson
By Jesse Jack, Brent Dipuma, Jillian Bennion […]
By Taylor Maldonado, Hannah Muczynski, Anna Samuels […]
By Linda A. Kinnahan […]
By Suzanne W. Churchill […]
Read More… from Mina Loy, “Maison des Bains a Forte dei Marmi” (c. 1909-1915)
By Alexandra Edwards […]
By Linda A. Kinnahan […]
This ‘postcard’ came about while I was working on the Brooklyn Art Library’s sketchbook project. I have always been energized […]
A reflection on the nature of fame in the digital age. Source image is a picture of Emma Watson, […]
Compiled by Churchill, Kinnahan & Rosenbaum […]
By Susan Rosenbaum […]
By Susan Rosenbaum […]
By Erin McClenathan […]
Introduced by Roger Conover;
StoryMap by Susan Rosenbaum,
Suzanne Churchill & Linda Kinnahan […]
Read More… from Mina Loy, Bowery Construction
(c. early 1950s)
By Rochel Gasson […]
By Jill Moliterno Buffington […]
The website was designed to be public facing from its conception, and the idea to collaboration with the public came […]
The en dehors garde remembers the moments, places, and things that happen outside the academic that spark the hearts of […]
By Emily McGinn & Caleb Crumley […]
From Baedeker’s Italy: From the Alps to Naples […]
From Ward, Lock & Co’s Paris and Its Environs […]
by Andrew Rikard (Davidson College, Class of 2017) (click here to view in full screen). […]
By Leah Mell […]
By Mahalia Cooks […]
Language is kinetic, geometric, recombinant, and open to mutation. Loy understood this. Do we yet understand this? May we not […]
Unmapping the Caribbean What would a map of sanctuary look like? As artists and educators we, Tao Leigh Goffe and […]
Stills from a collaborative dance + poem composed of, and in response to, quotations from and “exposures” (questions found letter-by-letter […]
When we are turning away from the center, does the direction in which we turn matter? Lately, and rightly, society […]
This painting was made as a reflection on Loy’s 1915 poem, “Human Cylinders.” […]
Nella Larsen, avant-garde? Modernist, yes, but avant-garde? Her writing is hardly in the vein of a Gertrude Stein or a […]
Created for this project, this piece is a collaborative montage with Mina Loy’s “Feminist Manifesto.” Utilizing some of Loy’s text, […]
Read More… from From The Kingdom of the Letter—The Feminist Movement as Brave Food & Feeling
Here’s a bit of what I was thinking in July, from my notebook. […]
I kept asking Tipsy Tullivan, my heteronym, “What do you think of Mina Loy?” and Tipsy kept saying, “Who the […]
* Marinetti coins a new mode of writing verse: ‘Parole-in-Libertá’ in a 1913 Essay. Parole-in-Libertá will free poets. There will […]
In her poem “I cannot dance upon my Toes,” Emily Dickinson makes the key connection between being unable to dance—a […]
Bulletin from the margins of modernism: twentieth-century art blanked our ability to see and understand ornament as a means of […]
Careful close reading of Mina Loy’s “Are you prepared for the Wrench?” will note that it is addressed in none-too-flattering […]
Someone or another said something very modern once about an umbrella and a sewing machine… […]
Fans of Mina know this as a now-time rousing NOW-citation of absolute NOW-ness typical of the manifesto mode. […]
I was lucky to have found an already tampered-with image of this icon. […]
Inspired by this flash mob’s form, three friends circulated a series of postcards, with each person creating, adding, and responding […]
The Fall of 2018 […]
But I would make a distinction in this case between ‘body’ and ‘flesh’ and impose that distinction as the […]
I spend my days working for the richest man on Earth Draining bags of blood and dreaming of a robot […]
Read More… from Why Won’t You Talk to Me When the World is Ending
Last summer, every book I read appeared to be about the colour blue. This year it’s yellow. I’m currently in […]
Dear Health “Care” – What does it look like to care about cures, diagnoses, and medical technologies, ignoring care that […]